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This is what Batcow Artworks website used to look like, and a snapshot of some artworks from the dawn of time

The message inherent in all parts of the website was that, in the words of Oscar Wilde, “All Art is Quite Useless.”

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7 Star (1983) – 14cm x 14cm x 0.4cm
Wooden lollipop sticks
The Post Boxes of Blackpool, England (2002)
37 photos of pillar boxes along with some history - currently posted on the internet at www.ausgang.com/collect/post.html
Cu Jimmy (2003) – 1.77m x 85cm x 45cm
Reclaimed copper piping

 

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Heffalump Trap (2008) – 49cm x 90cm x 55cm
A musical instrument to be played with sticks and have its strings plucked. It's sprung so the trap will snap viciously shut at random

 

Fifty Pieces of Silver (2009) – A4
 A birthday present for pStan Batcow's niece. Banknotes in clear plastic pouches then laminated; if she removes the notes the artwork is destroyed.

 

Eye (2009) – 49cm x 67cm x 15cm

 

RooH, who owned 'Eye', explained why he liked this piece of artwork so much:
"First off: there's an obvious parallel with a certain famous album cover, but it's an eye not a prism. But then whilst a prism may split white light into its constituent colours, it takes human intellect (often symbolised by an eye) to name them. Eye = intellect - insight, vision, imagination. Also 7 colours, really? Newton was a bit nuts about numbers and rather liked the number 7 so there had to be 7 colours in the spectrum (I mean indigo / violet = light purple / dark purple) so there's a link to the artist. And 7 lashes! Then I got to thinking about the left-to-right bias in our society. It's obviously white light being split into colours by an eye. Why is it not colours being combined by human perception into the white light of truth? Because we read left-to-right. Ditto comics, storyboards, flow-diagrams, instructions. But this is not universal, other cultures would see the colours being combined. This made me feel dismay for the human race, if people of different cultures cannot look at a piece of recycled scrap metal and agree what it means then there really is no hope for us as a species. But then, if we can produce a simple artefact which evokes such deep questions, is that not proof of our fitness to survive?"

RooH died in 2010, and is fondly remembered.

 

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Poco Loco busking bucket (2010) - 53cm x 28cm x 32cm

a drum-styled bucket for when the band plays, for coins to be thrown into

 

PetrolBurners (2011) - 80cm x 26cm x 26cm

functional ornaments for Dr. Adolf Steg's garden

 

PetrolBurners

being used in Dr. Adolf Steg's garden

 

 

Tables

 

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Arsetable (2007) – 45cm x 1.1m x 45cm
A recycled coffee table with a mosaic design lovingly executed thereon

 

Mosaic Table (2007) – 62cm x 49cm x 49cm
A recycled coffee table decorated with a spiral mosaic design

 

 

Motorised

 

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Radar (1999) – 28, 20, 10
Both the radar dishes rotate, at different speeds

 

‘Exorcist’ (2000) – 22, 12, 8
Both the girl's head and the soldier rotate
Spires (2002) – 33, 42, 20
Both the spires rotate, at different speeds

 

 

Environmental

 

 

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7 Star Sticks (1993 Ireland) – 1.3m x 1.3m x 3cm
Seven sticks woven together, leaning against one of Finn McCool's Fingers

 

The creation of Stanhenge (1993)
Seven stones taken from a riverbed at Brock Bottom and set in a cement base

 

Stanhenge (1993) – 22cm x 28cm x 28cm
Now weather-worn after years in the garden.

 

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Skull Tower (1995 Scotland) – 1.4m x 40cm x 40cm
Sticks and an animal skull

 

Bridge (1997) – 1.2m x 1.3m x 40cm
Prunings from a damson tree

 

Claw (2010) - 1.63m x 1m x 1.27m
Prunings from a rowan tree

 

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final construction

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after painting

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after installation

Devil / Angel (2009) – about 2m tall
pStan Batcow helped Sue and her family clear out their wildly overgrown back garden in 2008. During the process, many old and very rusty pieces of metal were discovered in the undergrowth or buried in the soil, and Sue asked if a sculpture could be made out of them. Liking the idea of replacing what was once so much trash back into its original location but in a completely reborn state, pStan Batcow created this sculpture with a pickaxe for a head and a garden fork for a tail. It has now been concreted into position at the bottom of Sue's garden, as a watchful guardian.

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